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I have developed some security type concerns over several new cameras I've purchased.1. After registering all of my cameras on the Reolink website for warranty, I began to wonder why the camera’s UID was needed for the registering when the Serial Number is already available. Isn’t the product-UID used to access the device from OUTSIDE of your home’s LAN? Then I realized that there doesn’t seem to be a way to edit and remove those UID numbers from the Reolink website. How can I remove these numbers off of the Reolink website where they are recorded?2. After I had purchased a new Duo3 and connected it up to my home network, shortly after that my network security (provided by AT&T) blocked an attempt that it made to access an outside IP address at 129.146.110.167. Why in the world would my camera be trying to “phone home” (or whatever it was doing out there)? I have not set up any kind of cloud service for it to use. What is going on here?
If the normal doorbells (black) had been set up so that they could be configured in corridor mode (like the WHITE doorbells), it never would have been necessary to have a totally different color doorbell to tell them apart. With that implementation, the customer could choose either color regardless of their implementation.We have a very narrow archway before getting to our front door. As a result, I had to buy a WHITE doorbell. A BLACK doorbell would have looked far better in our entrance-way, but unfortunately the wide field of view with the BLACK doorbells just results in a massive amount of the IR light being reflected back at the doorbell camera from the walls, ceiling and floor. Also, since the vertical field of view of the black doorbells is more limited, most people have the tops of their heads cut off in the view due to how close they have to stand to the camera on our doorstep.So in order to get the portrait format that I need, I have to use a white doorbell which aesthetically doesn't look as good. You should add the corridor mode to ALL doorbells regardless of their color.BTW, the vertical format of the white doorbells provide good view of the floor in front of our door to reveal packages that the black doorbell doesn't provide.
@user_840683896512750_840683896512750 Have you also noticed how even when you tighten the mounting screw into the camera it takes very little torque between them (i.e. a good gust wind) and the joint pops loose! It sort of looks like there were supposed to be little nubs between the camera and the mount bracket that would prevent this from happening. The screw that is used there appears to be a standard camera mount screw (i.e., like used on tripods). In all of those applications though, there is always a thin ribbed piece of rubber to prevent the joint from turning and coming loose.I have one of these but I'm afraid I will have to put a totally separate hole in the soffit for the cables to go through well behind the camera instead of through its mount. I also suspect that I will have to create some kind of thin rubber gasket to go between the camera and the knuckle where the screw goes through. If not that, I may have to just glue them together before putting in the screw (although I'm sure that will invalidate any warranty that I have).Also if you don't get the mount in the exact right position, the mount will not allow you to correct any error in the tilt horizon of the camera's view. E.g., if the soffit that you are mounting to is sloped, the horizontal center of the image will be tilted as well and can not be fixed. If you have the camera angled down 45 degrees, you get a similar problem.
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